Digital Video Free

I will become platform and computer independent. I'm very close to being able to work from any computer anywhere in the world and I'm moving toward this goal by adopting web-based applications instead of desktop apps. I began this journey in June of 2006 when I started using Gmail. Email is a critical function. If I couldn't accomplish email independence, my dream of platform independence would soon be over.

It's hard to imagine something as pedestrian as email being exiting, but Gmail is one of those tools that makes you wonder how you ever managed to get along without it. If you haven't made the move to Gmail, hopefully, after reading this month's newsletter you'll be ready to make the leap. If you already use Gmail, read anyway. I've highlighted some features and options you might want to know about.

I will become platform and computer independent. I'm very close to being able to work from any computer anywhere in the world and I'm moving toward this goal by adopting web-based applications instead of desktop apps. I began this journey in June of 2006 when I started using Gmail. Email is a critical function. If I couldn't accomplish email independence, my dream of platform independence would soon be over.

It's hard to imagine something as pedestrian as email being exiting, but Gmail is one of those tools that makes you wonder how you ever managed to get along without it. If you haven't made the move to Gmail, hopefully, after reading this month's newsletter you'll be ready to make the leap. If you already use Gmail, read anyway. I've highlighted some features and options you might want to know about.

I will become platform and computer independent. I'm very close to being able to work from any computer anywhere in the world and I'm moving toward this goal by adopting web-based applications instead of desktop apps. I began this journey in June of 2006 when I started using Gmail. Email is a critical function. If I couldn't accomplish email independence, my dream of platform independence would soon be over.

It's hard to imagine something as pedestrian as email being exiting, but Gmail is one of those tools that makes you wonder how you ever managed to get along without it. If you haven't made the move to Gmail, hopefully, after reading this month's newsletter you'll be ready to make the leap. If you already use Gmail, read anyway. I've highlighted some features and options you might want to know about.

Without any specific theme, this week we will provide a lot of transitions from the personal collection of Papy. Fortunately, a new rotation started and new transitions from other authors have been provided (they should be available in the next upload, transitions from candace and babujess). They will be submitted soon and we're sure this entry will be a breath of fresh air. I hope that the transitions available to you this week will be helpful for your next movie project. In any case I hope that the transition 226-Afficheur gives you more ideas... [HFX for free]

Sans aucun thème précis, nous vous livrons encore cette semaine un lot de transitions en provenance de la collection personnelle du Papy. Heureusement, la relève arrive et de nouvelles transitions issues d'autres auteurs nous ont été proposées (babujess et Candace). Elles vous seront bientôt présentées et un air nouveau soufflera sur cette rubrique. J'espère que les transitions mises à votre disposition cette semaine seront en rapport avec vos prochains montages de film. En tout cas je souhaite que la transition 226-Afficheur vous donne des idées d'évasion... [Effets HFX gratuits]

Now you know all you need to know about the user interface! Three weeks ago, you learned how to create your own effects with the HFX Tuto-5, thanks to Mr. Jos Roijakkers (JR-VIDEO). All you need to do now is to expand on those lessons to make your creations even more realistic and alive. This is the subject of Tuto-6, donated once again by Jos Roijakkers, translated into english by grendet, fine tuned and adapted to this website by Loosecannon. You will learn how to combine individual items to move them simultaneously. You will learn how to play with shadows, blurs, and the trails left by the movement of objects. You will use the movements of the camera to move in space. All these enhancements are very interesting but consume a lot of power. We will study the results of your choices on the rendering time which depends on your setup and your choice of options. [TUTO-6 Advanced Capabilities with HFX]

Maintenant, vous savez tout de l'utilisation de l'interface utilisateur Easy FX Editor. Il y a trois semaines, grâce à  Mr. Jos Roijakkers (JR-VIDEO), vous avez appris à créer vos propres effets HFX avec le Tuto-5. Il ne vous reste donc plus qu'à approfondir certaines possibiltés pour rendre vos créations encore plus réalistes et plus vivantes, c'est l'objet du Tuto-6, là encore fourni par Jos Roijakkers, traduit en anglais par grendet et conformé au site web par Papy. Vous y apprendrez à combiner des objets isolés pour les déplacer simultanément. Vous saurez comment jouer avec les ombres, les flous, les traces laissées par les déplacements des objets. Vous utiliserez les mouvements de la caméra pour vous déplacer dans l'espace. Tous ces perfectionnements sont très intéressants mais consomment beaucoup de puissance. Nous étudierons les conséquences de vos choix sur le temps de calcul en fonction de votre configuration et de vos choix de rendus. [Tuto-6 Possibilités avancées avec HFX]

Dans les précédents tutoriaux pour Hollywood FX, nous avons détaillé l'interface utilisateur du logiciel. C'était nécessaire pour être capable de créer ensuite ses propres effets. Dans ce tutorial nous allons encore plus loin dans l'étude de ce logiciel pour découvrir certaines fonctions avancées de Hollywood FX.

In previous tutorials for Hollywood FX, the user interface of the program has been explained. That was necessary to be able to create a simple effect. In this part of the tutorial we go further into the program and look at some advanced functions of Hollywood FX.

Studio gives you the option to add a musical background to your project from an audio CD. Although this feature is interesting and works reasonably well, it may cause you some minor inconveniences. What are they? First, it is common knowledge that Studio prefers the WAV format to any other audio format. With WAV, you avoid virtually any audio crashes. If a problem occurs, the system CD can often circumvent the obstacle. When you insert a CD into Studio, it generally converts the CD to a WAV file... Moreover, it often happens that Studio will not recognize a CD that has already been used in another project. It may then be necessary to tweak the registry... Finally, when you have almost completed and rendered your project, and you need to remove auxiliary files for one reason or another, you will realize that all your music loaded from the various CD's are gone with the auxiliary files. You may have to bring in all your CDs to Studio to restore the sound to your movie .. So, to avoid all these little worries, take the time to transfer your music files to your hard drive. It's a winning situation for you as time spent in the transfer is only a minor inconvenience. If you are convinced, let yourself be guided by the tutorial we offer.